![]() At every step, I try to serve the song in an effort to explain the ball of human emotion and condition to myself.” Looking back on the composition that set it all in motion, Shires adds, “As I was writing ‘Fault Lines,’ whether or not I recorded it or even played it, I knew that I needed to get my feelings out in some way so that I could have that kind of release. Isbell appeared on guitar for many of the tracks, lending his own estimable skill set and facilitating some measure of catharsis. However, Rothman helped coax her back into that setting, where she had created six prior solo albums, most recently 2018’s To the Sunset. In the early days of COVID, Shires redirected her energies into painting, seeking a more satisfying outlet than she had previously experienced in the recording studio. It’s very sad, but it’s very beautiful.’ I said, ‘Thank you,’ and they said, ‘We should record it.’ I said, ‘I’m not recording it. “I sent it to Lawrence and said, ‘Here’s a song I made up.’ Then, they called me and said, ‘That’s a beautiful song. ![]() The two had met when Rothman reached out with an unsolicited email asking if she would sing on “Thrash the West,” an atmospheric song that explores how Rothman-who uses they/them pronouns-came to terms with their childhood sexual abuse. That’s when she passed it along it to her future producer Lawrence Rothman, who had become a recent confidant. “I sent it to Jason to hear but he didn’t listen to it,” Shire recalls. “There was a real disconnect in my marriage and, one day-when it was particularly rough-I sat down with my little ukulele, and I wrote this song ‘Fault Lines.’”Īfter completing this heartrending expression of sorrow and distance, she shared it with her husband Jason Isbell, with whom she also has long partnered on fiddle and vocals in his band, the 400 Unit. “I wasn’t looking to record but at the same time, there was a moment in my life that was hard, like everybody’s life can be hard sometimes,” Amanda Shires says of the circumstances that ultimately prompted her to enter the studio and record her eloquent and emotionally charged new album, Take It Like a Man.
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